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Meet Walter Groppenberger (Professor at the University of Music and Performing Arts)
Walter Groppenberger, born in the cultural heart of Vienna, Austria, began his lifelong journey in music as a member of the world-renowned Vienna Boys Choir. As both a chorus member and a soloist, he performed in concerts, theatre productions, and films, laying the foundation for his musical education. It was during this time that Walter first developed his skills as a pianist.
At the age of ten, he began formal piano studies at the Vienna Conservatory of Music, and by twelve, he had already made his orchestral debut.
He performed Haydn’s Piano Concerto in D Major with the Vienna Symphony Orchestra in the Grand Concert Hall of Vienna—a remarkable achievement for someone so young. This marked the start of a series of performances, both as a soloist and in chamber music, across Austria and abroad.
Walter's early career included some extraordinary highlights: performing Mozart’s Concerto for Two Pianos with Ingrid Haebler under the baton of Rudolf Moralt and playing Beethoven’s Fourth Piano Concerto in the Brussels Palace of Arts in the presence of Queen Elisabeth of Belgium. At nineteen, he graduated with honours from the Vienna Conservatory. Alongside his piano studies, he began exploring conducting, further broadening his musical expertise.
In 1961, Walter advanced his studies at the Vienna Academy of Music, joining the class of the esteemed pianist and teacher Bruno Seidlhofer. Their relationship evolved into a deep artistic collaboration and personal friendship, which profoundly influenced Walter’s career.
In 1966, Walter began teaching at the Graz Music University, where he was later appointed full Professor in 1992. His role extended beyond teaching; as head of the instrumental pedagogy commission, he contributed to the creation of innovative curricula for music education.
He also became a founding member of the Austrian branch of the European Piano Teachers Association (EPTA) and was elected President in multiple terms, later being honoured as its Honorary President.
Walter’s scholarship is as impressive as his performances. At the University of Music and Performing Arts in Graz, he taught the "History of Piano and Literature" for many years, publishing extensively on the subject. His book, "Can We Really Read Music?", examines historical changes in musical interpretation from the Baroque period to the present and has been translated into several languages.
In addition to his teaching and writing, Walter has led masterclasses and given lecture-recitals at prestigious festivals, universities, and conservatories. His influence spans across Europe, with appearances in cities like Prague, Salzburg, Tallinn, and Copenhagen, as well as internationally in China, Russia, and the United States.
He has been a guest lecturer at institutions such as Bradley University, Roosevelt University, and Wesleyan University, earning respect for his expertise and engaging style.
Walter also serves as a jury member for national and international piano competitions, sharing his vast knowledge and keen musical insight. Despite his extensive travels and global acclaim, he remains dedicated to nurturing the next generation of musicians, leaving an enduring legacy in the world of classical music.
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Mark Walmsley FRSA FCIM AGSM
Chief Culture Vulture
Arts & Culture Network
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